ref: hXo Apr 5-May 3 2014 QUERCUS GALLERY Vanessa Gardiner: 'Edge Lines' - Open a 'pdf' of this press release - return to Galleries PR Index

VANESSA GARDINER | EDGE LINES PRESS RELEASE

Exhibition: 5 April 3 May

Private View: Friday 4 April 6 8 pm

Quercus Gallery is proud to present a solo exhibition of work by Dorset-based painter, Vanessa Gardiner. EDGE LINES introduces

new paintings and drawings of Cornwall, together with selected paintings from recent visits to Greece.

Vanessa Gardiner has always been drawn towards the natural geometry of coastal regions, particularly the Cornish peninsulas

around Boscastle and more recently the Attica coastline. These coastal areas offer an absorbing combination of elements; it is

these intersecting cliff points, sky lines and ocean planes that form the raw visual ingredients for her work.

For this exhibition, I have returned to the Atlantic coastline around Boscastle, North Cornwall - a dramatically contorted

landscape I have known for many years. Here the natural crook of the harbour is almost enclosed by the precipitous forms of the

dark-slate cliffs. It is from these high vantage points that I like to base my paintings and I start with a series of closely-observed

drawings, which I use to compose the pictures back in the studio. When making these new works I have increasingly been

focusing down towards the harbour entrance or out over the headlands, beyond the promontory to where the vast sweep of this

panoramic coastline looks out towards Pentargon and Beeny. The line of the coast path intriguingly follows the contours of the

cliffs, which in turn is echoed by the white surf of the sea.

In Greece I was struck by the unexpected similarities between the linearity of the Attica coastline and that of the Cornish

landscape. Although here the clear, sharp Greek light enhances the purity of the lines and contours of the pale grey hills and the

sea is more an intense cobalt blue, which at times to seemingly float as a solid band of dense colour across and between the

headlands.

The Greek paintings are sparser and more abstract in quality, reflecting the bold elements of the Mediterranean shorelines, yet

they also draw attention to the ‘base lines’ common to both landscapes, a similarity which Vanessa has remarked upon having

enhanced and refreshed her response to the landscape in general, particularly when returning to Cornwall.

Drawing is essential to Vanessa’s process of understanding a place. She has remarked that only after drawing can she in some

sense then feel justified in abstracting and reordering the landscapes into the carefully selected compositions she uses later in

the paintings. Marks, textures and traces are built up upon the surface of the board, which itself can be incised, abraded and

carved so that different weights of line and surface texture react with one another and direct the composition in unknown

directions.

By repeatedly sanding and scouring the plywood and responding intuitively to the traces and after-images which are left at each

stage, I hope that something beyond the subject matter and the material will emerge, some ‘otherness as it were. I work across

a number of pieces at any given time, rotating them in the studio as I go. I find that ideas from one picture will feed into others,

and then back again. Naturally it can take some months to achieve resolution, with each painting acquiring, in some sense a

kind of ‘family history’ but also standing up as a statement on its own.

This exploration of materials is certainly important beyond a concise representation of place but this process also creates a

satisfying time-worn quality, which seems to evoke an essence of the naturally forged headlands and cross hatched path lines.

This exhibition draws attention to Vanessa Gardiner’s distinctive visual language and the unique way in which she observes,

distills and reorders the edge lines of a landscape in her paintings.

Vanessa Gardiner studied art at the Central School of Art and has exhibited widely since 1991. She lives and works in Charmouth

in west Dorset with her partner, the painter Alex Lowery.

This exhibition will also be showcasing contemporary jewellery by Grace Girvan. Inspired by found objects from Scotland’s

shorelines, Grace combines pebbles and driftwood with silver and enamel to create beautiful, unusual jewellery.

For further information and high resolution images please contact Evie Howard: evie@quercusgallery.co.uk

Gallery: 01225 428211 Mobile: 07738929089

QUERCUS GALLERY 1 QUEEN STREET BATH BA1 1HE

01225 428211 info@quercusgallery.co.uk ∙ www.quercusgallery.co.uk Tuesday Saturday: 10:30 5:30

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