Galleries - March 2014

A RTEVENTPUBLICITY FROM BarringtonPublications Running an Art Fair or Open Studio, maybe even a large group show or festival? Barrington Publications offers unique cost effective publicity and marketing packages including advertising, editorial, brochure or catalogue design + print web promotion and targeted distribution Information at: BarringtonPublications.com MARCH 2014 GALLERIES 55 Businesses operating principally on the Internet A rt D iva.co.uk Your place to buy artwork delivered directly from the artist. Free Delivery. 14 day no quibble returns policy. sales@artdiva.co.uk www.artdiva.co.uk t 01324 558075 ArtGallery .co.uk Contemporary, original artworks and sculpture available on-line, also at The Art Gallery, Tetbury, The Knapp Gallery Regent’s Park and Malvern Theatres. help@artgallery.co.uk www.artgallery.co.uk t 0844 879 7438 (local rate) See also Cotswolds map GALERIE D’ART 64 Old High Street, Folkestone, Kent CT20 1RN Fine Art Gallery by the harbour at the centre of a thriving art community. Exhibiting and Dealing. magnus.h@sfr.fr www.avignonfineart.com GALLERY JKL Modern and Contemporary French Art. jkl@galleryjkl.com www.galleryjkl.com t 07739 596826 ILLUSTRATION ART GALLERY Original illustration art from books, magazines, newspapers and comics at affordable prices. art@illustrationartgallery.com www.illustrationartgallery.com t 020 8768 0022 THE INFINITE GALLERY Rosemary Clunie. rosemaryclunieart@yahoo.com www.rosemaryclunie.com JANE FUEST GALLERY Contemporary paintings, sculpture and ceramics. jane@janefuestgallery.co.uk www.janefuestgallery.co.uk t 01962 735834 POP UP GALLERY The online contemporary art marketplace – sell your artwork commission free. www.i2popupgallery.com Prints GB. com Dedicated site promoting the work of artists working in print. Featuring: Jane Bristowe, Emma Clark, Paula Cox, Colin Gale, Vincent Jackson, Elaine Newman, Susie Perring, Melvyn Petterson, Sonia Rollo, Chris Salmon. *ad www.printsgb.com t/f 01372 842 879 VICTOR ARWAS GALLERY Editions Graphiques Ltd, London Original graphics, drawings, paintings, 1880–1960. Art Nouveau and Art Deco Applied Arts and graphics. Books by Victor Arwas. art@victorarwas.com www.victorarwas.com t 020 7499 2658 f 020 7493 5779 THE WHITLEY ART GALLERY Annacrevy Schoolhouse, Enniskerry, Co. Wicklow, Ireland Original Prints & Drawings, Japanese Woodblocks, Contemporary Painters & Photographers. david@thewhitleyartgallery.com www.thewhitleyartgallery.com t 00353 1 2829915 WEB WORLD WIDE CODA Gauguin Glows in London Even a century after his death, encounters with Paul Gauguin (1848- 1903) can be in equal measures sublime and stressful. Bringing an oasis of brightness and exoticism to London in the dreary winter weather, Tales of Paradise , on at Ordovas until 18 April, mixes word and image together to create an engaging profile of the artist. Chronicling Gauguin’s search for perfection in the primitive, the four works in the exhibition are sensual, tactile and bold, each given plenty of breathing space in the large one-room gallery. The big sunshine-yellow front window at the exhibition entrance, mirrors the radiance of the works inside. In Jeune homme à la fleur (1891), for example, the subject is painted with warm, honey-brown skin, which, set off by the cool white of his shirt, glows from the wall. Bright colours are countered by the narrative of Gauguin’s life. Materials that accompany the exhibition – a catalogue and a video – provide as many biographies of Gauguin as there are works. From these third-person accounts and self-mythologising letters it’s clear that while the artist was a dreamer, idealist and eccentric, he was also selfish, brutish, difficult, frequently misguided and willing to manipulate the world around him to fit his ideas of it. Still, it is in part these tensions that give Gauguin’s art some of its power. He was fascinated with the idea of Tahiti as a primeval paradise. When he arrived and found it a quiet, westernized colony he simply used choice elements of the island to inform his work. Ideas of the artist’s ‘primitive’ self are evident in Masque de sauvage (1893-97), which draws on his observation of the Tahitians to produce a visage that is rather traditionally Christ-like. Despite inherent contradictions, the mask is successful: rough, mysterious and ultimately sublime. Frances Allitt beforetheart@gmail.com