Galleries - April 2014

a arebyte GALLERY Unit 4, White Post Lane, Queens Yard, London E9 5EN www.arebyte.com b BARBICAN ART GALLERY Silk Street, EC2Y 8DS The Curve United Visual Artists: Momentum. Until Jun 1. The Curve Sat–Wed 11–8, Thur–Fri 11–9 BHols 12–8 www.barbican.org.uk/artgallery t 0845 120 7550 (info) ? bo.lee gallery N1 viewing space open by appointment jemma@bo-lee.co.uk www.bo-lee.co.uk t 07970 492858 c THE EAGLE GALLERY/EMH ARTS 159 Farringdon Road, EC1R 3AL Drawing. Mar 20–Apr 18. Fieroza Doorsen, Catalina Montesinos, Terry Smith, Helen Turner. Wed–Fri 11–6, Sat 11–4 emmahilleagle@aol.com www.emmahilleagle.com t 020 7833 2674 THAMES VER S H O LT RD B L A C K W A L L T U N N E L N O R T H E R N A P P R O A C H P A N C R A S R O A D C A M D E H I G H S T S T P E T E R ' S S T FA RRI N G D O N RD G O S W E L L R D RO S E B E R Y A VE BR I C K L A N E Q UE E NSBR I DG E R D R I C HM O ND R D S O U T H G A T E R D W OB U R N R D G RA Y' S I N N RD ST JOH N S T L O N D ON W AL L H O X T O N S T K I N G S L A N D R O A D GR AH A M ROA D M A R E S T R E E T R O M A N R D ESSEX ROAD N E W N O R T H R O A D U P P E R S T B A L L S P O N D R O A D YORK W AY E D O N I A N R O A D I V E R P O O L R O A D H A C K N E Y RO A D B E T H N A L G R E E N R D V I C T O R I A P A R K R O A D F E N C H URC H S T B I S H O P S G A T E CI TY R D F L E E T S T S T R A N D N EW G A T E S T F A I R F IE L D R D R I N G L A N E P E N T O N V I L L E U S T O N R O A D R D C I T Y R O A D T HE HIGHWAY C O MM ERCI AL ROAD I W V I C T O R I A E M B A N K M E N T X F O R D S T R E E T H O L B O R N C L E R K E N W E L L R D O L D S T R E E T W H I T E C H A P E L H I G H S T B O W R D L B L A Liverpool Street Moorgate Aldgate East Temple Angel Old Street Tower Hill King's Cross Bethnal Green Highbury & Isl. Whitechapel Chancery Lane Blackfriars Barbican Cannon St Hackney Wick a e g d k j f c b i h 50 GALLERIES APRIL 2014 MAP 30 LONDON CITY, KING’S CROSS, ISLINGTON & EAST END d ESTORICK COLLECTION OF MODERN ITALIAN ART 39a Canonbury Square, N1 2AN Giorgio de Chirico: Myth and Mystery. Jan 15–Apr 19. This exhibition offers British audiences a splendid oppor- tunity to explore the enigmatic world of de Chirico through rarely-seen sculptures reflecting the artist’s fascination with classical myth and legend. It will also feature a selection of drawings on related themes by the father of pittura metafisica. Pablo Echaurren: Iconoclast. Mar 19–May 18. A display of collages by Pablo Echaurren, reflecting the artist’s fascination with cartoon imagery and containing fragments from Futurist publications. The Years of La Dolce Vita. Apr 30–Jun 29. This exhibition draws on the archive of Marcello Geppetti – one of the inspirations for the character of Paparazzo in La Dolce Vita (1960) – as well as a number of photographs taken on the set of the film. Candid and evocative, these images not only capture a period of remarkable creativity, but also changed the face of photojournalism for ever. Wed–Sat 11–6, Sun 12–5, first Thur of month until 9 In conjunction with Time Out First Thursdays, open until 9pm on first Thur of each month during Giorgio de Chirico: Myth and Mystery. www.estorickcollection.com t 020 7704 9522 f 020 7704 9531 Gary Wragg ‘Bending Zones & Shifting Accents’ Tenacity is an underrated virtue in an artist’s ultimate recognition: Gary Wragg has always shown it in abundance and now, across a career spanning over five decades, he is finally getting some wider recognition for his hugely determined pursuit of a highly personal and intensely physical ‘take’ on abstract expressionism – a comprehensive two volume catalogue of his paintings entitled ‘Constant within the Change’ (published by Sansom & Co) and a show at the 30th Floor Gallery, Clifford Chance (map 30). With an introduction by Norman Rosenthal and essays by Matthew Collings, Hilary Spurling and Sam Cornish among others, these volumes lend convincing support to the idea that it really is about time Wragg got support from the public sector that his achievement deserves. NU THUMB nails

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